Monday, October 12, 2015

 October Blast 15 2226-2450

 12-Oct 18:20 Monday

2226 The sea is metal, the sky metal
2227 ABCESS
2228 So that every one of you might understand
2229 Today is show and tell
2230 We will be found dead, burnt up, dry as tissue

2231 There is another way but I will not go there
2232 PINCERS
2233 It is more or less as we expected, but bad for all that
2234 An unstoppable ugliness
2235 How death arises

2236 She thinks of it like a trapeze artists worships the sawdust
2237 I will wear shorts, sandals with socks, a knotted handkerchief upon my head
2238 Turmeric for health reasons
2239 SUBSISTENCE
2240 The horses came just as night was falling

2241 Deeper, the ears imploding
2242 Small blind creatures, aperitifs
2243 Miguel who cuts down trees
2244 He crouched, waited, thought about leaping, waited more
2245 Sonnet on fourteen pianos

2246 The smell of almond polish
2247 I have arrived but you bounced past and are gone
2248 Unburden me, lay me in a shallow grave
2249 The Bad Sister
2250 Before the world was as sweet as this

October Blast Prompt Set 14

2401 Never underestimate the power of a turned face
2402 An Obscenity of Professors
2403 He brought his teeth with him in a brown paper bag
2404 Secretaries end to end
2405 It's a kind of murder, out on the verandah

2406 Various poisonous confections
2407 A pause of falling suicides
2408 Sticklebacks
2409 A series of silences is music to the soul
2410 RUBBER

2411 Few will hear, but that's how it has always been
2412 Shut up. Shut up. Shut up.
2413 Does a croc without water still latch on and twist?
2414 Will Shakespeare, Midfield Dynamo
2415 The awkwardness of first love

2416 It is known that certain moons talk
2417 I hear you knocking
2418 The glass and clatter of a steaming kitchen
2419 PLOUGH
2420 Back where we were just sixty minutes ago

2421 Two hundred billion billion white plastic bags
2422 I saw three ships come sailing by
2423 Accidentally exposed to a poet
2424 Words ending ack, ick, eck, uck
2425 Contagion

Saturday, October 10, 2015

October Blast 12 2351-2375

10-Oct 09:51 Saturday

2351 Bargees here for the body, prepared to fight
2352 This is a strange church with strange smells
2353 Jacob's Ladder
2354 You should not expect applause except the flutter of hands in your gut
2355 The pig with a house of straw

2356 You must find your key, then sing
2357 Brothels, Parliaments, Churches
2358 Let us not prolong this
2359 There is an unwellness in your soul
2360 I dismiss myself and cast me out

2361 Come Waves Overwhelm me for I cannot die
2362 Command Centre
2363 The contents of the saddest box on Earth
2364 Jennifer, you are rudely late, impossibly early
2365 If I rob you i have made your load lighter

2366 Mesopotamia
2367 I almost came out alive
2368 The Aliens Reported Back: Worthless
2369 The fat grey flanks of the walrus
2370 All for one and I'm the one

2371 Remember, there is good and bad laughter
2372 Long ago, before the world was a wild uncaring place
2373 So many ways to say hung
2374 The glint of steel in the bush
2375 Gong Farmers, Pure Collectors

Friday, October 09, 2015


09 October Prompts


2326 We collect our invisible belongings and exit
2327 Tarzan
2328 This is how things are designed. It is absolute
2329 The smell of coal-tar soap
2330 Chain Bridge, Ferry

2331 Camp Coffee, Garibaldis
2332 Rule Britannia!
2333 Running my finger under the tap
2334 SALT
2335 Out for a Chinese, the bus back

2336 Twigging
2337A stand-up wash in the kitchen
2338 Picking delicious scabs from your knees
2339 Last Night of the Proms
2340 Eggs, Chips Echo'd Bread

2341 Running for trains, always missing
2342 Jockeys in their Triumph Spitfires, dates in town
2343 Tea might help
2344 The Market Place
2345 The difference between a pantry and a larder

2346 Carriage after carriage, heartless
2347 Fireworks, a Diary, Harmonica, and once an opened till
2348 Copper Thomas
2349 Skimming stones, hiding in bushes, vowing eggs
2350 Stores Away!

Wednesday, October 07, 2015

October Blast 09 2276-2300

07-Oct 11:15 Wednesday

2276 Village Stocks, Electric Chairs
2277 Crucifixion, but a long way off
2278 We cannot be sure you are our sort of person
2279 I so detest it when they become educated
2280 Eventually we will eat our shoes, and then our books

2281 Pigs Fucking Pigs and Pigs Watching On
2282 It is all mud and I detest you for it
2283 Suitable Lampposts
2284 Remember when men were black from work but marched and sang?
2285 There is a far-off beauty in bells

2286 Pure gravestones, white as light, leaning crosses
2287 No poor, and now no disabled, no limbless, none struck
2288 Mist
2289 Genuinely, if a pox fell upon them, I would rejoice
2290 Would Communists be Worse, or Fascists?

2291 The soul gone, the heart. Now tax the air.
2292 Next!
2293 You took too much of my life
2294 If we could only find another Botany Nay
2295 We would march into Hell, nevertheless

2296 These are my last few unknown places, shadows of shadows
2297 Watch them, imagine smart grey uniforms and a certain kind of cross
2298 Tsars fell, Empires fade, but the filth and bile remains in festering minds
2299 Surely the poor have uses? Fertiliser, ballast, bad examples?
2300 Jesus, Privatised

Tuesday, October 06, 2015

SCUM!

I think yesterday may have been my polemic day. As well as a terrible poem, I got this from my daily batch of prompts.

I don't usually post a fresh story, but I can't imagine this placing anywhere (The Spectator, maybe?) so here it is.

Please share.


Alex.

==============================

5 Oct 2015





SCUM

Apparently, there are no poor people. We have it on authority from a particularly ugly immigrant who once ran a market stall, moved up to selling plastic shit computers and fell into importing millions of Chinese electronic boxes for other quite-rich people to access SKY and became a Lord. Thank-you Lord. How are this sweat-shops in Guangzhou, Alan? Not too many poisonings, I hope, suicides below ten a month? All good then.

We the quite-rich-really, we spread the word on our iPhones, jump in our low-slung go-fast striped Sierras, burn rubber on our dissolute ways to the best food banks. Some of us even change out of our pyjamas.

Obviously we squabble a bit over Tesco Everyday Corn Flakes (who the Hell wouldn’t?) and who wouldn’t shove a bit to get the only packet of Thai Chicken Flavour Crisps (hardly out of date.) You can’t stay in to watch your Blu-Ray of Fast & Furious on your 90-inch 4 x HD Panasonic and NOT eat crisps with your Stella.

We the quite-rich-really, we are the soldiers, the old soldiers, the ex-soldiers, the wives of soldiers, the children of soldiers. We are the archers who tramped towards Calais, our breaches undone to let dysenteric shit run out of us as we marched towards our murder. We are the full-fingered who followed a king, slept in fear and won for our country in a muddy field called Agincourt. We were soldiers, and when we have scrounged for a pack of Carling, we dance on the backs of soldiers, our fathers, brothers, uncles.

We-the-quite-rich died of Phossy Jaw, lead poisoning, mill-smashed limbs, gas and rock falls as we hewed your coal, and when we took a break from that we holidayed in The Ardennes, Gallipoli, Balaclava, Isandwhala or over Berlin. Occasionally we succumbed to malaria or snake-bite. Occasionally, somehow we won through, and you pinned badges to our chests. Rorke’s Drift or the skies over Kent.

We are the smoke on lamps, the smoke on ceilings, the smoke that lines our lungs. Our places are old, old, old, worn out, and yes, our children find chemical ways to live and then they are incarcerated. We are worn out, worn down, trampled even as you ignore us (except when we disturb you). We are the peeling labels on old tin cans, the shadows, your inconveniences.

We-the-pretty-well-off-actually, some of us have two pairs of trainers, and a change for when our favourite trackies are in the wash. We, the assistants, the apprentices, the miners, the steel-workers, the trawler men, the front line, we who unfortunately have managed to survive, we, Wellington’s Scum of the Earth, the stout Yeomen of England, now we lounge around in our penthouses, texting each other about the market, vaguely trying to choose between Cannes for the weather or the Alps - the shine of virgin snow.

Naturally, we the-fucking-loaded, we, the buyers of Chateau Lafitte ‘42, we who slum it sometimes with merely a half-decent oaky Chardonnay, obviously the last thing we want is work. Why in shit’s name would we want to work?

Would we want a job to feel human again? Would we want a job so our kids grow a little higher and stand a little taller? Of course we wouldn’t. Fuck me, Alan, of course we wouldn’t. It’s great here on the estates, we’re absolutely rolling in it, and we laugh our devious ways to the bank, to the boozer, to the betting shop. It’s hard to believe how happy are knowing we aren’t poor.

I was five in 1953, Alan, outside Fosters Garage, waiting. The sun was high, everything shone, and The Queen, the actual QUEEN was coming to see me. Imagine that. We were on Cardiff Road, just past Whiteheads Iron & Steel and Godins Steel if you (or HM the Queen) had just come through town. Up Corporation Road there was Lysaghts, too, and British Nylon Spinners and Stewart & Lloyds. One day they would build Llanwern. The docks creaked under the weight of coal going out and pit-props coming in, New Zealand Lamb incoming at 2/6d a leg, frozen in steely holds. Proud men worked then Alan, every man worked; and when her car came: the queen, bright and pretty in her light-blue hat waved at us with a white-gloved hand. We saw her for almost two seconds.

Maybe our leaders were just as bad back then. The poor will always be with us, eh? Except, we weren’t poor then, either. We only worked sixty hours a week, and we had a roof over our heads, didn’t we? Compared to a peasant farmer in the Domesday Book, we were kings, Kings!

We got to Barry Island once a year. We went to the Lido. We walked to save the bus-fare and were skinny. We stumbled towards adulthood, kicked a ball around weekends. Were we loathsome then, from the wrong schools, with the wrong accents, and ‘difficult’? Did you hate us so much when we joined together, all-for-one and one-for-all?

OK, our skin wasn’t fine - fruit would have helped - but the steel snaked from hellish furnaces, the cars rolled from lines, we made your cabinets and televisions, and sailed old fat ships on dangerous seas. We didn’t want to sit at your table, ours was fine, but a few bob extra would have been nice, say enough not to have to cut apples into four, or have to pick potatoes piecework on weekends to pay the rent. Just a little bit more was the point, but then it turned out we had never had it so good.

These are interesting times, but remember once Kings thought Kings were forever. Some of us are tired, some of us are beaten down. But just remember Alan, remember David, when you see your flushed cheeks in the mirror, that once a thousand noble knights, the cream of France thought there was no fight left in the poor.

So to the Alan’s and the David’s and the Boris’s, and Gideon AKA George, to those with puffed red Nazi cheeks and swollen trousers, to those with mothers called Felicity Alexandra followed by barrels, and 17th Lords, remember, when the pig is spent and you have zipped your swollen trousers that corruption carries the seeds of its own end.

We, the various microscopic inhabitants of your Jermyn Street cheeseboard, the tired but not yet dead, we will find a way.

Let me put it this way… You have sat too long for any good you have been doing lately. Depart, I say; and let us have done with you. In the name of God, fuck the fuck off and die.


1,144 Words

Monday, October 05, 2015

October Blast 08 2251-2275 
06-Oct 00:01 Tuesday

2251 Cherry Blossom
2252 A Commonwealth of Thieves
2253 Major Major
2254 A ferret, a flat-cap, an old pair of boots
2255 A Small Lie

2256 The Unwritten History of the Native American
2257 A Pity Youth Does Not Last
2258 Trees, Path, Light
2259 A Substantiation of Inconsequentials
2260 A Coat on a Chair

2261 Grinning, with someone else's teeth
2262 The Stilted Sixties
2263 Beyond Coincidence
2264 John, Paul, George and Sylvia
2265 My Hi-Viz Jacket and Trousers

2266 Air Hostesses and Similar Animals
2267 BAYONET
2268 Seven Pillows of Wisdom
2269 Underneath the King's Horse
2270 A Ring of Steel, and Inside Our Servants

2271 The Former News Editor, Albert Jackson Brown
2272 Work Like a Chinaman
2273 Gravitas
2274 A Confederacy of the Aged
2275 The Men Are Rowing Out

Help my Son and Help Yourself

At the end of November, my son, Alex (PJ) Pearson-Jones, after just twelve months as a power-lifter is off to Vancouver to compete in The CommonWealth Powerlifting Championships

He needs to raise funds to cover flights etc. 

If you can help his crowd-funding, great, but in the meantime I'm offering membership of Boot Camp from now until the year-end for the ridiculously low price of £50, (normally £198) all the £50s to go the PJ's travel fund.


Please help, join us in BC, and/or share widely.


Alex
October Blast 07 2226-2250

05-Oct 08:05 Monday

2226 The smoke on lamps, the smoke on ceilings
2227 Gain is Loss Somewhere
2228 The peeling labels on old tin cans
2229 1953, Fosters Garage: the sun was high, the queen was bright
2230 People kill People. Guns are labour-saving devices

2231 All six of us stumbled through, the poor breeding
2232 We dance on the backs of soldiers
2233 Lido
2234 The town is old, old, worn out, worn down
2235 What was beautiful as the blood spread

2236 In the name of God, fuck the fuck off and die
2237 There is a place called Limousine 
2238 I feel endings lining up, disaster
2239 We all need to be stretched, some by the neck until they are dead
2240 If. If there was a school shooting every day

2241 Loathsome, his fat red nazi cheeks and swollen trousers
2242 It is not about the crime, not about the criminal
2243 We lead fools, their babies as appetisers 
2244 In honour of a distant death
2245 Hepatitis-T, starting in a Manchester Hotel

2246 Bing Bang Bong!
2247 We must not be disturbed, we are above those things
2248 Apothecary
2249 Two years ago, when I was still alive
2250 Ethelred the Fraud

Saturday, October 03, 2015

October Blast 06 2201-2225

04-Oct 00:01 Sunday

2201 Nightmare in Twickenham
2202 The Hills Above Bradford
2203 Suffragettes
2204 Hope moves in circles
2205 The various microscopic inhabitants of a cheeseboard

2206 I am tired but I'm not dead yet
2207 The dark secrets of the scrum
2208 Watermill
2209 I am perfecting flapping
2210 One beautiful minute or  a decade of survival?

2211 In these most interesting times
2212 The English, Vanquished
2213 Icarus Jones
2214 There are no poor people
2215 A field, a day's march from Calais

2216 A Small Poorly-Lighted Place
2217 Jezebel
2218 Writer in Residence for the NRA
2219 Dysentery
2220 The White Hunter's Fist Assistant

2221 English Lady, Purple Dress
2222 A Catastrophe but Forgettable
2223 Letter From America
2224 Professor Blenkinsop's New Machine
2225 Let me put it this way...

Friday, October 02, 2015

 October Blast 04 2151-2175

 02-Oct 23:59 Friday

2151 The Strange Case of Mary Bridget O'Hare
2152 Outclassed
2153 B is for Badger; F is for Fox
2154 The babies are lined up, anointed
2155 "Let us go then, you and I"

2156 How we come back to ourselves
2157 Moondown
2158 GLASS
2159 A Moment in ER
2160 Finally, the edits are removed

2161 TAPS
2162 Drama, of a kind, just not dramatic
2163 Modesto, California
2164 Reading Larkin's Diary
2165 Yes, fucked up. Why are you surprised?

2166 We have arrived. Be happy
2167 Cold Sore
2168 As the clouds part, light
2169 The footsteps of strange men
2170 Coffee and a Croissant

2171 Derek Derek, P.I.
2172 Garbage
2173 Blood in the sink
2174 I am ready; you need to be ready
2175 A set of perfect, artificial, teeth

 October Blast 03 2126-2150

 02-Oct 12:05 Friday

2126 A fistful of dirty coins, the taint of blood
2127 We stay off the streets these days
2128 We wait, we try to stay alive
2129 I've ordered a 21-Gun Salute
2130 My brother, heavy

2131 El Presidente
2132 Granite, polished wood, amazing plastics
2133 Is death better or worse when casually dealt?
2134 Frankincense
2135 Enough salt, enough peer, the right amount of heat

2136 They went there merrily, pockets jingling
2137 CUSTARD
2138 His own worst friend
2139 The first time I died it was messy
2140 I would have a fiery daughter, a peaceful son

2141 The mourners dressed as bananas
2142 Feel the weight of night, the closing down of unseen clouds
2143 My lives have been varied, some too long
2144 I attended high masses but did not inhale
2145 My Father's Toolbox

2146 If condoms grew on trees, money in furrows
2147 AK47
2148 Georgie Williams wears a Nazi armband
2149 Time Gentlemen, PLEASE!
2150 One more school, soon to be forgotten

Thursday, October 01, 2015

 October Blast 02 2101-2125

 01-Oct 20:25 Thursday

2101 Ball Games
2102 The Burned Children of Various Middle-Eastern Countries
2103 The Wisdom of Augustus
2104 BUCKET
2105 Letters from the Pope

2106 At the dead end of the valley
2107 Cherokee
2108 Margaret is Marigold now
2109 Apache
2110 Ships Passing

2111 Wait, let it fall as far as here
2112 Her Dirty White Dress
2113 Only a pint or so of gin
2114 Articulate, Enunciate
2115 Landscape

2116 The Working Lives of the very, very poor
2117 A Serenity of Dying Larks
2118 Plasma
2119 Poetry before the poets
2120 Peeling potatoes, the radio on

2121 How exactly did you end up here?
2122 A Thin Red Line
2123 Shark versus Crocodile
2124 I Never Promised You a Rose-Garden
2125 Blackberry
October Blast 01 2076-2100

 01-Oct 01:120 Thursday

2076 Like a body taken up from the flood
2077 Late, very late, too late
2078 Most of the family had gone to Mars for the weekend
2079 Master the art of losing badly
2080 Like a daughter needs a mother needs a daughter

2081 You cut me like a wire divides cheese
2082 Hickory, Dickory & Dock
2083 When your ex-wife keeps calling
2084 Montezuma
2085 Let us talk about great small things

2086 Too tired to rise from my chair
2087 The Smell of Burning Plastic
2088 Think of me as the dead, as the pocked exiles
2089 TOAST
2090 We stood together, fell individually

2091 The car continues, driving by memory
2092 Sitting in the Gods
2093 Serviceman
2094 PLUM
2095 Me, God, and two brown-tops in the snug

2096 Some have passed, some are waiting to pass
2097 On a tram, Cambrian Road
2098 There is not enough time
2099 Oh God, Oh God, Oh God, Strawberry Jam
2100  None of us meant to hurt her

Wednesday, September 30, 2015

Sep-Oct Ramp-Up 09 2051-2075

30-Sep 12:42 Wednesday

2051 Twenty-five flavours, but only one at a time
2052 Some things you just know, but never know.
2053 Firemen, Policemen
2054 HRT
2055 The elegance of a ploughed field

2056 Knock Knock Jokes for the Damned
2057 I remember you from before you wanted to die
2058 Flower
2059 Knee, back, ear, eyes
2060 Yes, and miles to go, miles to go...

2061 What would I want for my last meal
2062 I would shoot crows, the occasional dog
2063 Another twenty years or loved for a day, then die?
2064 Muttering of surrender in a musty room
2065 Remembrance

2066 The sweet beauty of a homing bullet
2067 Decorating as an act of love
2068 No oath of allegiance, medals in the skip
2069 From now, I think I should wear the clothes of dead men
2070 It's a kettle. Approximately

2071 Beginning, End? It's all middle, nothing of consequence
2072 CRIB
2073 Were fat Boy and Little Boy beautiful?
2074 We will get there, but how we get there should matter
2075 The swollen fear of the slaughterhouse, shit.

Tuesday, September 29, 2015

Sep-Oct Ramp-Up 08 2026-2050

28-Sep 13:00 Tuesday

 2026 A Short History of Stupid
2027 From beginnings such as these
2028 TACK
2029 What's so wrong with eating people?
2030 How to talk money

2031 One Day in the Life of Ivan Dennis Prosser
2032 Great Composers and Minor Poets
2033 Game of Drones
2034 A Place of Almost Honest Smiles
2035 On the other hand it was sort of expected

2036 PRUNE
2037 The Early Days in Tredegar
2038 Various Theories and a number of ideas
2039 Conference
2040 A Century of Quiet Women

2041 It's probably a donkey
2042 The truth, or something close
2043 Mr & Mrs Desperandum and the son Neil
2044 Under Milk Wood
2045 And When Did You Last See Your Father?

2046 Hitler's Last Gamble
2047 JC
2048 A Bagatelle
2049 I know, technically, it's murder, but it's FUN
2050 Home Run

Monday, September 28, 2015

Sep-Oct Ramp-Up 07 2001-2025

28-Sep 08:10 Monday

2001 Fat chips, a soft-boiled egg, beans
2002 TINSEL
2003 We need to slow down, think, gather our strength 
2004 Crippled
2005 The Tell-Tale Secretions of the Sick Mind

2006  On Sundays, all walking the lake in their best
2007 Hamster, Microwave
2008 You've Got Mail
2009 I have a small problem here
2010 The earth from above, the sweep of light over clouds

2011 As cold as a referee's heart
2012 The way long, lonely and desperate
2013 Montreux
2014 The Miracle of Death
2015 Crystal

2016 Cities Burning, the Weeping and Gnashing of Teeth
2017 Rice Pudding
2018 A quiet gathering of compromisers
2019 Dixon of Dock Green
2020 A Thousand Blessings, Effendi!

2021 Charging for Plastic, the Great Fight Back Begins
2022 OTIS
2023 When sex-bots go wrong
2024 The moment we emerge into light
2025 A Valleys Life of Quiet Degeneration

Sunday, September 27, 2015

 Sep-Oct Ramp-Up 06 1976-2000

 27-Sep 08:00 Sunday

1976 The contents of a damp cardboard suitcase
1977 Why I love Denis Potter
1978 Homo Sapiens Paradoxicus
1979 Until I Found You
1980 Picnic in Basra

1981 A Month of Reading Dangerously
1982 How I learned to be stupid
1983 The Forensics of Love & Hate
1984 Complications
1985 Mothers & Daughters

1986 SNOW
1987 A Small Life and Smaller
1988 If perhaps I could have a drink of water?
1989 Lawrence of Belgravia
1990 The last kick of the game

1991 The Return of the Prince of Darkness
1992 Betting the Farm
1993 Smaller than the smallest possible thing
1994 A Suitably English Affair
1995 From a modest beginning towards a spectacular end

1996 Various Somerset Paupers
1997 Beau Geste
1998 An Evening With an Archangel
1999 The Stars in their Courses
2000 A Night in The Pilot

Saturday, September 26, 2015

Saturday Prompts




 Sep-Oct Ramp-Up 05
 26-Sep 08:20 Saturday

1951 Nothing will follow, nothing follows
1952 Sandpaper
1953 Deacon William Jones and other such bastards
1954 Stamp through the tulips
1955 Where the rivers meet, before the falls

1956 I dreamt I was Atilla the Hun, for Might is Right
1957 Be patient, your chance will come
1958 CHOKE
1959 The aesthete, the asexual
1960 I will need to go to Wales

1961 The susceptibility of the egg
1962 His father murdered for a living, but was kind
1963 How clouds drift in, kindly at first
1964 All the fun of the fair
1965 POLIO

1966 The Oxford Companion to Discarded Poems
1967 The Last Cuckoo
1968 CARNAGE
1969 A Peculiar Singularity
1970 There must be a way through: I can feel the light the other side

1971 In the name of austerity, I sentence you to death
1972 James James and Billy Williams
1973 Conference
1974 This is my best, my very, very best
1975 I have shaken off my family like a snake's rotten skin

Wednesday, September 23, 2015

And More...










Sep-Oct Ramp-Up 03 1901-1925

 23-Sep 09:10 Wednesday


1901 For each of us, this is the last migration
1902 TANK
1903 This is important, but I don't know why
1904 Snakes
1905 There was a fire in my head, lights, steam

1906 Her name was Angelina and she only ever wore white
1907 BLOCK
1908 The rain began while we were sleeping
1909 EGG
1910 I feel myself stronger as my limbs fade away

1911 I was five and he was six, you know...
1912 Monumental
1913 Eggs to steal, flour to find
1914 We need ladders; I have rungs
1915 Sweet the dull sounds of evening falling

1916 Lilac Rising
1917 I will hide on a small island until people forget me
1918 Poem by an Old Seaman
1919 The Art of Hospice
1920 A man called Drake sleeps below

1921 TRAP
1922 Four in the morning, Christmas Eve
1923 Eleven ways to dilute hope
1924 She is plump enough for a farmer's bride
1925 1918

Tuesday, September 22, 2015

More Prompts



Sep-Oct Ramp-Up 02 1876-1900

22-Sep 09:10 Tuesday

1876 7:08 From Parkway
1877 All the Princes, their entourages...
1878 Postcards From BalloonLand
1879 Now they are concrete, etched into time
1880 Don't Touch Me There!

1881 One night, I went out, thinking the world ran in lines
1882 Closing Date
1883 The Singing Bird dies just as badly
1884 Dr Fitzhugh
1885 The Puppy

1886 Tom, Dick, and Harry
1887 Last night the dog and I talked about your shadow
1888 SCUD!
1889 "And I will wear my trousers rolled"
1890 One is Enough

1891 True is good, true is indefinable
1892 Tom & Jerry
1893 Seven-Forty-Seven
1894 The Interview
1895 Something by Browning, or Yeats. Eliot

1896 Spectacles, Testicles, Wallet & Watch
1897 If I knew I would tell you, if I really knew I would lie
1898 Table Nineteen
1899 Lucy, Lucy and the Magic Daffodil
1900 Double Glazing

Monday, September 21, 2015

Sentinel

I have been asked to judge the next two Annual SS Competitions for Sentinel, 2015, 2016.

A few dozen moons back I judged a quarterly competition and was agonised to discover I could not find six worthwhile stories. I managed a 1-2-3 but I knew I was pushing things to talk about "recommended" or "highly-recommended" works.

After all, if I DIDN'T "highly recommend" a story (as in, Hey Jane, read this story...") how could I, in all good conscience, give it a PRIZE as HC?

It was a difficult time for me but luckily, Sentinel's Editor stood by my decision. I did not expect the above recall.

There is an article of mine, "The Disease of Competence". If you are going to enter Sentinel's Annual SS Competition, I suggest you read it.


The Disease of Competence

by Alex Keegan
The Internet Writing JournalApril 2006

Competence. I am choking to death on competence. I am being tortured by ordinariness, battered into submission by beige words on fawn pages, by magnolia writing. One sound fits all. 

As I dip into the English literary journals, and those American ones I can easily access, the short-story seems to come to me now, as a painful, plain, dull vanilla. I see, eat, feel, and read the blind, bland and automatic, the five-thousand-word sound-byte, the "Yeah?" stories, the so-fracking-what stories, the smooth and empty. 

I received a journal not so long ago and the four prize-winning stories were so similar that I cut and pasted the four opening paragraphs and posted it to my writing group as a single opening. The group thought the opening "quirky" but not one group member recognized that here there were four separate writers. About two years ago, I took the two opening paragraphs from an edition of a well-known literary magazine and asked a group of writers to decide how many different authors there were here. Many thought two, some thought three, one thought four. There were eleven. Eleven. And every author either had an MFA or taught on a Creative Writing MFA. 

About six or seven years ago, we were moving house as my wife had a new job. I had been writing full-time for four years and had managed to sell five crime novels, but I'd moved into serious short fiction. I wanted to change direction so much, I thought a year on a creative writing masters might help. As much as anything, I wanted a wall between my old writing identity and my new one. 

I don't want to talk much about the MA itself (but it was disappointing and I mentioned the blanding, do-it-the-corporate-way atmosphere in my article "The Novice Screenwriter Refuses to Conform") but I do want to mention my two projects. 

The academic coursework was comfortable but the bulk of the final grade was based on Projects A and Project B. 

Project A was the aspiring writer's first attempt at a novel, a screenplay, or a set of stories. The idea was simple. Submit A and then respond to the feedback with Project B which was worth a full 50% of the course. 

I was writing, and growing. I knew just how many secrets my published writing glided over and I decided to write a piece where I derided my own stories, attacked the author for his cowardice. What was there on the page was passion, language, heat, an attempt to access the truth. 

The feedback was a near-yawn. Why was I bothering with this post-modern self-analysis? B. 

I had been disappointed by the tutors. I had realized that standing up for principles could mean failure. So for my final project, I simply removed all the fresh, passionate, profane, self-investigative work, and trotted out a nice easy set of short-stories. 

The result? I graduated with a distinction! 

I cannot stress enough how easy it is to publish ordinary work and how much harder it is to get into print with anything that tries to reach a little further. My experience on the Bath University Creative Writing MA was a perfect example. Give them easy and the applause will come. 

But to what depths are we slowly but surely spiraling down? Where do the next set of editors come from if not the current MFA and MA courses? We must surely be creating a world where the bland lead the bland. 

In an essay Francine du Plessix Gray wrote: "I wish to state my great unease toward the very nature of such classes… too many students can glibly discuss Mimetic Strategy of Narrative Dislocation but are tone-deaf to the euphonies of prose and are incapable of lucidly communicating a smell or a texture." 

Later she wrote of her fear that university writing programs might be "shooting out, with the speed of tennis-ball machines, a new breed of fiction-scribblers who are groveling for the glitz of being labeled creative writers." 

"These misguided souls might merely be mastering the technical tricks of the narrative trade and barking them out like contestants at a dog show, with an eye to marketability." 

All the above is true, but add into the mix the following experience and the revelations of two editors. I have twice been rejected by one magazine which paid &5 per thousand words only to then place the story for &1,000 in a prestigious competition. In both cases the rejecting editor mentioned that she loved the stories but that the readership "would not wear it". 

Let's not mince words here. This editor openly admits to using inferior material because that's what the readers want! We have discussed this many times. The editor freely admits that this is a sad fact of life. If she goes for anything more serious, she loses subscribers. The result is that the best stories in the magazines are pseudo-literary, always comfortable and "easy reads". They slide down with barely a thought, and taste sweet for seconds. Then they are forgotten. 

Consider this, reader. You pick up a literary journal. Do you simply read it, that is from start to finish, or do you own it and maybe skim, or glance at the beginnings of each story in the hope that something will bite you? If you went to your bookshelf now and counted how many stories you have glanced at, how many you have actually read would you, like me, discover you read less than ten per cent, and that many of those are disappointing? How often are we hit in the gut by writing these days? 

My second editor ran a small literary magazine for a few years and has recently had to close the print version and fall back on web-publication. Why? 

Her answer confirms the first editor's knowledge of the market. Each time this editor published anything more serious, she lost subscribers and in the end the losses became too much. 

Is this merely sad, or is there something a little more worrying underfoot? If an aspiring writer today goes to many of the little British magazines, he or she will not find stories with meat, will not find Carver or Englander. If Vladimir Nabokov wanted to place his stories in the British Small press he would fail. 

But does this matter? Well, it matters if, when the writer is starting out, he is led to believe that what publishes is this thin, far-too-easy, vanilla-languaged, forgettable stuff. It matters if nowhere there is a Nabokov, or Brodkey or Marquez. 

I believe we have developed the literary equivalent of Chick-lit. Let's call it Lit-Lit. It's a lightish general fiction with the faint whiff of better writing. It's easy to absorb, often solid, and often contains one flourish, often a good opener, or a neat closing paragraph. 

I see a mechanic at work, not an artist. I see an MFA graduate with a set design, a reasonable premise, a text with the errors flattened away, then, after some blue-pencil remarks from a tutor (who graduated himself just ten-fifteen years earlier), has managed to bolt on a few sparklers, enough for publication. The circle is not only complete, the walls are built a brick higher, and just a little thicker. And the new writer sees what the new writer must do to be published. 

I open the latest copy of Best American Short Stories (BASS) and read the first work. Does it move me? Does it shake me? Does it knock me off my feet? Does it make me care? Do I read the story, ache, feel profundity or wonder a little deeper about life? 

No. And not only "No" but even "Not at all!" 

This must worry me. It should worry us. Though I recognize, of course that it would be easy to dismiss the flaws as mine as a reader rather than say the story is bland, goes nowhere in particular, has no language of extra significance, no deep or rare emotion. It's "just another one" just another BASS story. 

I never miss a BASS. I want to know what is considered the pinnacle of US short-story writing in the year. And I have read, on occasion, superb works. But it's the general sense of the humdrum, the forgettable, the prose equivalent of the very, very minor poets who reach these "heights". 

Mary Yakuri Waters' story "Rationing" was published by the Missouri Review, then selected by Katrina Kenison, then further, it was picked out by Walter Mosely 

When Kate Kenison mentions the story in her prologue, note the dizzy excitement: "in 'Rationing' a young Japanese man's deeply-felt admiration for his self-sufficient father inhibits him from ever expressing his true feelings, until it's too late." 

What strikes me here is the flatness, the "Yeah, right!" and when I come to the story I am again struck by the ordinary, the flat, the near-essay feel of steady, dull prose. It is certainly tidy and it's certainly error-free, but where in the piece is any sense of newness of a freshness or true insight? 

I read the story of Saburo and his father. I read it again. I read it a third time, and even on the fourth read, desperately searching for a reason it is one of the best twenty stories published in 2002, I cannot find one. 

When I teach the short-story, if a student rates language above par I ask them to quote that language to excerpt the prose and discuss where the piece works at a higher level, why they enjoyed it, or were moved. Do I go through this story and find myself underlining words? Are there patches where the English rises above the ordinary, even as far as "nice"? Not to me. It seems to read like a slow-moving, slightly stodgy, essay, nothing so much wrong, as simply lacking anything extra. 

There is no va-va-va-voom. It's safe. It's boring. The whole piece reads like the story we have in our collection when the publisher needs just one more. Sorry, but if there is greatness here, I cannot see it. It's another example of so-so, me-too, do-I-really-care? writing. 

I never read the author's comments on a story until I am almost done with it. When I read Waters' comments I was not surprised to see it was a story out-of-the-drawer. That's exactly how it feels, a story which never really worked and still doesn't work. Sure, it's solid, sure it's publishable but isn't there supposed to be something more? Are we not meant to feel joy, or shock, or be so immersed in a wonderful vision or beautiful prose that we are transported? Are we not supposed to "carry" a good story with us for a long time? 

Half-way through the story, there is a paragraph where Saburo has a recurring dream where he thinks he's racing in the 800 when in fact it's a 400. I wrote in the margin, "Meaning?" 

But of course, the story had 800 metre racing highlighted earlier, then at the end we get the final metaphor. Saburo's clichéd chest pain as his father dies "reminded him of track days: anguish escalating unbearably in oxygen-deprived lungs, the blind rush down the home stretch on legs that were too slow." My first thoughts were, "The tutor recommended a solid threaded metaphor. Is this an MFA graduate?" 

The story is one of the best twenty in the whole of the US? Really? 

The story is competent, but competence is a disease. I see ordinariness exalted, I see reader-votes for dross, I see the brave editors going out of business and other editors thriving by giving writer-readers more of those stories just one per cent better than the rest, the comfortable, the solid, the unmoving. 

When Flannery O'Connor said, "Any idiot with a nickel's worth of talent can emerge from a writing class able to write a competent story. In fact so many people can now write competent stories that the short story medium is dying of competence." she may have been slightly defeatist, but then she was only looking from the angle of the creative writing courses at university. 

If we now add in the fact that many MFA graduates are published, that MFA graduates become editors, become teachers on further MFA courses, that editors who go for broke often go broke, it's a deeply sick, sad spiral of false fulfillment. 

Francine du Plessix Gray argued that we must keep our sentences erotic, our sentences euphonic, full of tonality and rhythm and avoiding all those tired phrases we see too often. She wrote how our stories must open in a way that promised to seduce, that intrigued, whispered like a lover. She said we should strive for muscle, for power, to make things throb, and she said we must rebel against the tyranny of the genre. She was right, she is right, but my fear is that "the genre" is also now "the market" and the genre is also the supply-line, and the judges are steeped in the genre, and the whole is one sorry, bland, self-perpetuating, mutual admiration fest.

Some News

Update on Me


I have been away in Malaysia and Australia, returned with an infected ruptured ear-drum and almost complete deafness in one ear, poor hearing in the other.

The antibiotics upset me too, and the last thing I've wanted to do is write. However, October is another blast so I started "ramping up" Sunday 20 September. No doubt the next ten days will be erratic, but I should be ready to blast and (hopefully) not feeling sick, in pain and jet-lagged.



Boot Camp Blast Update


Boot Camp has had 2-3 successful "Blasts" this year and we are holding another in October but pushing on towards the year-end trying to create a lot of drafts and submittable work.

It remains the case that almost without fail, the work which goes on to win prizes is the work written, not carefully, meticulously, over weeks, but work "blasted out" and then edited (often minimally).

I believe in deep thinking, theory, argument, criticism BETWEEN stories, but that we must WRITE DRUNK, let go, "care less" and Just Do It!

The prizes that keep mounting suggest this is a good way to work!

Sep-Oct Ramp-Up 01 1851-1875 21-Sep 08:45 Monday

























Sep-Oct Ramp-Up 01 1851-1875 21-Sep 08:45 Monday


1851 Where I was born. Not where I lived. Not who I am.
1852 The Dead Centre
1853 The taller soldiers with the deeper march
1854 When meadows shone
1855 Once for others, now for myself

1856 We wait still, patiently, for the promised blood
1857 Deaf
1858 No longer under sky, no longer looking out to sea
1859 Dumb
1860 Beneath my bedroom light, outside, where dark creatures shuffle

1861 Avocado and Bacon
1862 Trees left, trees right, some dark, some light
1863 A Gorge, Cold Water
1864 Once we were all young and easy, never believing this
1865 Apollo 13

1866 Where Billy and I used to go
1867 Tea, then out with the wick
1868 How the cold breathes art upon the leaves
1869 Naked
1870 There is a moment when darkness changes

1871 The finality of a certain kind of no.
1872 A snuffle, a tired knock at a door, a bottle rolling
1873 CORK
1874 Driving slowly to eke out their time
1875 This is what we disremember