Check Out
~THIS~
http://saltpublishing.com/
They have a neat video "VIRTUAL REP" and Ballistics gets featured twice. COOL!
Blog from Writer and CW Teacher Alex Keegan. Also publishes news from Boot Camp Keegan and Writing Competition Schedules and Results. FACEBOOK ME!
Saturday, May 30, 2009
Friday, May 29, 2009
Friday Morning Prompts (2) at 07:10
M4, M5, M6, M42
A policeman in white dancing between cars
Stopping off at IKEA
I have stocks in the barn
Before, the shops are quiet, streets wait for feet
Grey brick upon grey
The day is suddenly rich, our friend
It might have worked but God was having none of it
A dirty dream of a rolling sun
I see from the paper that the last one is dead
All the needles, all the spoons
Cigars
Scraping burnt-toast into the sink
Correctly, because he did it for his country
Up, down
His hands are black with blood. He loves his children.
Old, toothless soldiers
His eyes lived, but only his eyes, it was a trick
I would like to be collected
Young Christopher
Cows stumbling, enormous, slobbering cows
We were innocent then, on the banks of rivers
Who will it be, the last in the class to die, the first to live?
Sideways through the night
A policeman in white dancing between cars
Stopping off at IKEA
I have stocks in the barn
Before, the shops are quiet, streets wait for feet
Grey brick upon grey
The day is suddenly rich, our friend
It might have worked but God was having none of it
A dirty dream of a rolling sun
I see from the paper that the last one is dead
All the needles, all the spoons
Cigars
Scraping burnt-toast into the sink
Correctly, because he did it for his country
Up, down
His hands are black with blood. He loves his children.
Old, toothless soldiers
His eyes lived, but only his eyes, it was a trick
I would like to be collected
Young Christopher
Cows stumbling, enormous, slobbering cows
We were innocent then, on the banks of rivers
Who will it be, the last in the class to die, the first to live?
Sideways through the night
Prompts Ready for First-Thing Friday
I have know them all already, known them all
The water is bad
Marmalade, careful toast, butter in scrolls, tea
Talking to the old crew
That is not what I meant at all
The day of battle
The sun used to shine while we walked
I have mislaid the key
Rain all through the night, nothing but rain
The village is silent, except for the sound of the smithy, bang, and bang
I am traveling from the borders of sleep
Here love ends
I weep like a child for the past
She bathes and I watch, delirious
He climbed in the dark, looking for the sweet air
My little boat, my love
Her skin is soft, but something in her eyes is hard
I saw a naked man
The land here throws a finger at the sky
I drop a question in your hand
I am dying, I am dying. We are all dying
Cobwebs
The water recedes. It's mark remains
Groping along the wall, step, stumble, step
The soot that falls from chimneys
The water is bad
Marmalade, careful toast, butter in scrolls, tea
Talking to the old crew
That is not what I meant at all
The day of battle
The sun used to shine while we walked
I have mislaid the key
Rain all through the night, nothing but rain
The village is silent, except for the sound of the smithy, bang, and bang
I am traveling from the borders of sleep
Here love ends
I weep like a child for the past
She bathes and I watch, delirious
He climbed in the dark, looking for the sweet air
My little boat, my love
Her skin is soft, but something in her eyes is hard
I saw a naked man
The land here throws a finger at the sky
I drop a question in your hand
I am dying, I am dying. We are all dying
Cobwebs
The water recedes. It's mark remains
Groping along the wall, step, stumble, step
The soot that falls from chimneys
Thursday, May 28, 2009
Prompts 07:30 Thursday
What’s happening feels like a story
You run towards her even though you know it’s too late
I am not sure what this means or what it will mean
As the man dies she does not know what to do
Standing in the Rain
My neighbours’ gardens
Which is to say, go fuck yourself
Some said it was Satan, others God
In small rooms with small light and small breaths
I would prefer to be nice
Various Churches
Egg
Chairman, The Sad Bastard Club
The sound of clanking tracks
They have fitted me with harness and saddle
Potatoes
That night the sea went out and the beach was broken glass
The wind rose up, we knuckled down
Rorke’s Drift
They are taking down the last tree
Wednesday, May 27, 2009
Prompts at 11:09 Wednesday
Last night, had I been sleeping
Beat Me, Hammer Me
There is never enough water
Dark, dark and dark-dark coming
We climbed through steepening woods, smelling pine, earth
The old cowboy always died
A Man, a Woman, yet they are not quite together
Walrus
Her herbs are not as impressive as my potatoes
Love me like you breathe
The foam of dirty oceans beats against the land
What is blocked in us, you, me?
Some bastard nicked the plums from the bridge.
Too tired to turn back, just going
The Book Man
Take it or Take it.
When I get home
Gassing natives is fine, says Mr Churchill
The power in a horse’s chest
A furlong by a chain, my Lord
When I came out of the bathroom
Uncertainty, beautiful uncertainty
August the First, everything shiny
Father forgive me, for I have fucked around a lot since last confession
It was a time of fools and genius
Beat Me, Hammer Me
There is never enough water
Dark, dark and dark-dark coming
We climbed through steepening woods, smelling pine, earth
The old cowboy always died
A Man, a Woman, yet they are not quite together
Walrus
Her herbs are not as impressive as my potatoes
Love me like you breathe
The foam of dirty oceans beats against the land
What is blocked in us, you, me?
Some bastard nicked the plums from the bridge.
Too tired to turn back, just going
The Book Man
Take it or Take it.
When I get home
Gassing natives is fine, says Mr Churchill
The power in a horse’s chest
A furlong by a chain, my Lord
When I came out of the bathroom
Uncertainty, beautiful uncertainty
August the First, everything shiny
Father forgive me, for I have fucked around a lot since last confession
It was a time of fools and genius
Tuesday, May 26, 2009
Prompts Almost Before Noon
Talking over trains
Untitled
It was here this morning
Sunday, when I was even born
They are marked on the map in red
Ripper
From Mountain Tops to Valley Floors
Of Twisted Fingers and Twisted Hearts
Cutting Honey
Cracks are appearing everywhere
Homage to Spike Milligan, May His Aim Never Falter
And Cats Shall Run Over Cars
I hear dirty geese coming in like Stukas
Central Line
Someone has stolen the buttercups and daisies
I dare you to dare me to dare you to dare me
Basically, I don't give shit
Frogs and Toads
I am finished for the day
Do you believe in Dog?
I celebrate my corruption
Sorry your upload is illegal
My love, slicing bread and butter, pouring tea
Monday, May 25, 2009
More Pictures, More Prompts
The way dry dirt sucks water
The next part of this involves the sound of boots
We were five miles out when Jones threw away the oars
Small budget, Big hearts
Nothing ever happens twice, it just looks that way
The camera that saw people
What I mean is NO.
A Sparrow freezing to death
It's a cold evening, fishermen unbuckle their boats
I think of Porthcawl
Chairs, Table, China, Knives
A child looking from a train
You might hear who you are from a stranger
It's hard waiting for the potatoes
The next part of this involves the sound of boots
We were five miles out when Jones threw away the oars
Small budget, Big hearts
Nothing ever happens twice, it just looks that way
The camera that saw people
What I mean is NO.
A Sparrow freezing to death
It's a cold evening, fishermen unbuckle their boats
I think of Porthcawl
Chairs, Table, China, Knives
A child looking from a train
You might hear who you are from a stranger
It's hard waiting for the potatoes
Pictures & Words (Prompts) 08:07 Monday 25th
It wasn’t something she’d intended
Midnight, and horses came, led by the whitest one
On lawns as smooth as shining glass
It is four in the morning
The press of dancing bodies
The city shrinks
Pigeons
When I would stare at lovely clouds in Heaven
The sound of angry fists on wood
Fruit of the wrong colour
When we travel to see the eclipse, that feels wrong
History is just one view
I might as well cut my own trail
Hold the time!
He loved her like a snake loves a mouse
LIGHT
Standing on a chair to reach the light
How the fog seeps
This is us, black & white, no argument
Business as Usual
I was with her, waiting, the sirens were a long way off
Lying like a cheap watch
He had to kill the dog first
He ran, with pebbles in his throat
The Collier’s Wife
Somewhere near Charing Cross
Mary Jones was twelve years old
Some places are just sad
Hi!
Signed: Arbuthnot Grimes, Deceased.
Chicken!
Her mother’s name was Tears
Sunday, May 24, 2009
Prompts Sunday 15:55
The ground falls sharply
May, the wind is wet, slapping in off the sea
One day I shall find my skin again
Taking Dad’s bets down to the bookie’s runner
It is calmer here, amidst the danger
Dinner together, as if it was our last meal.
We worship electric gods
When I enter the hospital where my father is dying.
NOT Not breaking the law
Hornet
Your fingers are swollen
They told me to shave off my hair
In the silence of my room
I think about zimmers and high-waisted trousers
We don’t like it when you kill one of us
They rescued me, fixed my leg
It’s early, almost six o’clock
On the table, two small photographs
They are killers, but they smile at the small children
All my birthdays coming at the same time
Damn this place
Where all that money went missing
Things that are hidden, into the light
To ride wild horses, drink with wild men
The eyes were gone, the heart
As you go on it gets harder
On holiday with the public executioner
Do you know REAL darkness
Songs of praise
The trail dies
With hindsight, of course, I might think different
I step in, it’s warm, I go deeper
May, the wind is wet, slapping in off the sea
One day I shall find my skin again
Taking Dad’s bets down to the bookie’s runner
It is calmer here, amidst the danger
Dinner together, as if it was our last meal.
We worship electric gods
When I enter the hospital where my father is dying.
NOT Not breaking the law
Hornet
Your fingers are swollen
They told me to shave off my hair
In the silence of my room
I think about zimmers and high-waisted trousers
We don’t like it when you kill one of us
They rescued me, fixed my leg
It’s early, almost six o’clock
On the table, two small photographs
They are killers, but they smile at the small children
All my birthdays coming at the same time
Damn this place
Where all that money went missing
Things that are hidden, into the light
To ride wild horses, drink with wild men
The eyes were gone, the heart
As you go on it gets harder
On holiday with the public executioner
Do you know REAL darkness
Songs of praise
The trail dies
With hindsight, of course, I might think different
I step in, it’s warm, I go deeper
On Photographs & Writing
On Photo Prompts
I see this morning, a book launched, Twenty Photos, Twenty Stories where every story in the book is joined by the photograph it comes from. See here: http://vanessagebbiesnews.blogspot.com/2009/05/sometimes-far-from-being-negative-thing.html
My story “Miguel Who Cuts Down Trees” came from a series of unconnected (but all haunting) photographs, most of which I saw at an exhibition in the V&A Museum.
At Writing Courses we regularly toss out photographs and magazines and ask all the writers to find 1-2-3 pictures that, for them, ache. Those words, for them, are important.
Dorothea Brande, in “On Writing”, once wrote how two writers seeing something will not react the same. For one the image or incident might not “connect”. For the other the image might cut to the bone, go to the soul, open up dark caverns, release memories.
Brande explains that when things “connect” like that, whether we know it or not, there is something primitive going on, possibly a repressed memory, maybe (this is me) the image connects because of tribal memory, or ghosts, or possession. Who knows (and why should we care?) What matters is we can feel the photograph SWELLING. It has power. The photograph is like a poetry prompt but probably stronger, richer, more resonant, echoing. Bleeding, pulsating.
Can anyone look at the plane hitting the tower and not get a visceral response? Can we look at the belly-swollen child, flies on her face and not feel?
Photographs, move us, great photographs move us greatly.
If you’re stuck for ideas, blocked, or worse, just “flat” search out some photographs and let them do their work on you.
270 Words
I see this morning, a book launched, Twenty Photos, Twenty Stories where every story in the book is joined by the photograph it comes from. See here: http://vanessagebbiesnews.blogspot.com/2009/05/sometimes-far-from-being-negative-thing.html
My story “Miguel Who Cuts Down Trees” came from a series of unconnected (but all haunting) photographs, most of which I saw at an exhibition in the V&A Museum.
At Writing Courses we regularly toss out photographs and magazines and ask all the writers to find 1-2-3 pictures that, for them, ache. Those words, for them, are important.
Dorothea Brande, in “On Writing”, once wrote how two writers seeing something will not react the same. For one the image or incident might not “connect”. For the other the image might cut to the bone, go to the soul, open up dark caverns, release memories.
Brande explains that when things “connect” like that, whether we know it or not, there is something primitive going on, possibly a repressed memory, maybe (this is me) the image connects because of tribal memory, or ghosts, or possession. Who knows (and why should we care?) What matters is we can feel the photograph SWELLING. It has power. The photograph is like a poetry prompt but probably stronger, richer, more resonant, echoing. Bleeding, pulsating.
Can anyone look at the plane hitting the tower and not get a visceral response? Can we look at the belly-swollen child, flies on her face and not feel?
Photographs, move us, great photographs move us greatly.
If you’re stuck for ideas, blocked, or worse, just “flat” search out some photographs and let them do their work on you.
270 Words
Sunday Morning
We lay together after sex, dead angels
Throwing my cap in the air
Daffodils, Catkins, Pussy-Willows
Sunlight and shallow water
A snake slithered over my book
Praise turns to dust
I know how to build a canoe
Such a small wound
Is there anything sadder than fallen houses?
The buses couldn’t make it up Caerau Road, the men got off to push
Their children
Miss Duffner and Miss Wilce, they were, were…
Amaretto, poems, fire
Thank-you for the photographs. Is that really me?
We can start at the top and work our way down
Mrs Bartholemew, Oh, Mrs Bartholemew
Outside it’s raining
ATC
I am hungry, I have clothes.
In German, “clever” is an insult
GPS
My shirt that scares of flies
You wallow in your folly
Tom Evans beats his wife and she is silent
It is dark up there
Throwing my cap in the air
Daffodils, Catkins, Pussy-Willows
Sunlight and shallow water
A snake slithered over my book
Praise turns to dust
I know how to build a canoe
Such a small wound
Is there anything sadder than fallen houses?
The buses couldn’t make it up Caerau Road, the men got off to push
Their children
Miss Duffner and Miss Wilce, they were, were…
Amaretto, poems, fire
Thank-you for the photographs. Is that really me?
We can start at the top and work our way down
Mrs Bartholemew, Oh, Mrs Bartholemew
Outside it’s raining
ATC
I am hungry, I have clothes.
In German, “clever” is an insult
GPS
My shirt that scares of flies
You wallow in your folly
Tom Evans beats his wife and she is silent
It is dark up there
Using Prompts
On Using Prompts to Find Stories.
Every day in Boot Camp we post at least one set of prompts. These are help around road-blocks, ways to find new directions, grit in the oyster, small, odd elements to make your thoughts a little different.
It is rare we post less than ten. We sometimes post as many as twenty-four. Writers can use one prompt, two, or twenty-two and they can use prompts exactly, partially or use them as inspiration and not directly use them at all. For example, I might post “Hickory-Dickory Dock” and a writer might think of mice and clocks and write about cuckoos. The point is to break out of the box.
Some writers, especially beginners, might freeze when they read a list of prompts. Well, first, remember, no-one says you must use these, any of these, or yesterday’s, or any prompt we have posted. The prompts say, “write”, that is all, and if the prompts help you, fine, if not, that’s OK too.
But I believe that freezing before a prompts-lists is like how sometimes, when we are told to read a boom (remember school?) we see only words, and even when we try to read “naturally” all we hear is a monotonous voice, and every line is treacle.
SING.
Read the list of prompts, go loose, be drunk, from the top to the bottom, from the bottom to the top. Try chanting them or singing them, combine them, alter their order. 49 times out of fifty some of the prompts will stick to you. Often it is not ONE prompt that hits you but two together, as a combination, as an echo. Look for the rhythms in lines. Presume nothing, allow yourself to be seduced.
Many of our prompts are poetry, lines either directly from poems, or similar lines tweaked a little. (Many lines, while being written are prompted themselves by lines from poetry, so are original, but cousins of the poem.
Understand that the line or its cousin contain. They hold my thoughts or the poster’s thoughts, and the poet’s and, deep within, his society and history and the literature he stands upon. A poem has DNA, a family-tree. We have to open up, though, to feel it.
I am a poor reader of poetry yet, every day, as I flick through books of poetry I am struck by lines. Not only are they sometimes beautiful alone, but I feel them resonate, pulse, echo ages, smell of sex. I hear the poet breathing.
Once that never happened. Once it was just words.
Every day in Boot Camp we post at least one set of prompts. These are help around road-blocks, ways to find new directions, grit in the oyster, small, odd elements to make your thoughts a little different.
It is rare we post less than ten. We sometimes post as many as twenty-four. Writers can use one prompt, two, or twenty-two and they can use prompts exactly, partially or use them as inspiration and not directly use them at all. For example, I might post “Hickory-Dickory Dock” and a writer might think of mice and clocks and write about cuckoos. The point is to break out of the box.
Some writers, especially beginners, might freeze when they read a list of prompts. Well, first, remember, no-one says you must use these, any of these, or yesterday’s, or any prompt we have posted. The prompts say, “write”, that is all, and if the prompts help you, fine, if not, that’s OK too.
But I believe that freezing before a prompts-lists is like how sometimes, when we are told to read a boom (remember school?) we see only words, and even when we try to read “naturally” all we hear is a monotonous voice, and every line is treacle.
SING.
Read the list of prompts, go loose, be drunk, from the top to the bottom, from the bottom to the top. Try chanting them or singing them, combine them, alter their order. 49 times out of fifty some of the prompts will stick to you. Often it is not ONE prompt that hits you but two together, as a combination, as an echo. Look for the rhythms in lines. Presume nothing, allow yourself to be seduced.
Many of our prompts are poetry, lines either directly from poems, or similar lines tweaked a little. (Many lines, while being written are prompted themselves by lines from poetry, so are original, but cousins of the poem.
Understand that the line or its cousin contain. They hold my thoughts or the poster’s thoughts, and the poet’s and, deep within, his society and history and the literature he stands upon. A poem has DNA, a family-tree. We have to open up, though, to feel it.
I am a poor reader of poetry yet, every day, as I flick through books of poetry I am struck by lines. Not only are they sometimes beautiful alone, but I feel them resonate, pulse, echo ages, smell of sex. I hear the poet breathing.
Once that never happened. Once it was just words.
Saturday, May 23, 2009
Saturday Morning Prompts 07:20
We were more or less accomplices
Old men reading newspapers
But she came to me, whispering, sucking, when she chose
Your gesture is appreciated
It is a trim accountancy
The air is poison
Hear careless children in the schoolyard, dancing on bones
It is kind of you to come
I loved my lover and I tried to love my wife
You drag out your days on your knees
Soup
I remember once, a nurse, not of my country
A face that called me deep, and echoing
The daily struggle ends in whispers
From what we have gathered we are not alone
A sadness waits here, like a tick in grass
Frankly, it would be nice to pause a while and take a drink
See death fly by confused
She loved a man who said he was a singer
They are all holier than I
What I believe is like a light across the moor
I stumble forward but the ground is treacherous
Every city has its ghetto
Of childhood, most, I remember fears
My name is Elias Jones, I have been dead these weeks
Old men reading newspapers
But she came to me, whispering, sucking, when she chose
Your gesture is appreciated
It is a trim accountancy
The air is poison
Hear careless children in the schoolyard, dancing on bones
It is kind of you to come
I loved my lover and I tried to love my wife
You drag out your days on your knees
Soup
I remember once, a nurse, not of my country
A face that called me deep, and echoing
The daily struggle ends in whispers
From what we have gathered we are not alone
A sadness waits here, like a tick in grass
Frankly, it would be nice to pause a while and take a drink
See death fly by confused
She loved a man who said he was a singer
They are all holier than I
What I believe is like a light across the moor
I stumble forward but the ground is treacherous
Every city has its ghetto
Of childhood, most, I remember fears
My name is Elias Jones, I have been dead these weeks
Friday, May 22, 2009
Friday Night Prompts 20:15
The small summer droops
We move at speed
We set out earthen jugs and water
My mother and my father sang, but not together
Again and again, horses, horses, horses
I am in no way eminent though I have dined with kings
I want a girl with white, white skin
It is the same, I think
A Chapel, but no garden and no view
I stole a bullet
I try to remember me, a boy, always forgetting he is dead
Aunties are fat, or stand like brooms, they are never in-between
Fat Moonsky
A bride with anger in her eyes
Silverware
If all the blood, all the blood, a lake, an ocean?
Tell them about your country
I would die for seeing her
Really, it was being locked away
This is no place for ambition
They will shutter all this up
We move at speed
We set out earthen jugs and water
My mother and my father sang, but not together
Again and again, horses, horses, horses
I am in no way eminent though I have dined with kings
I want a girl with white, white skin
It is the same, I think
A Chapel, but no garden and no view
I stole a bullet
I try to remember me, a boy, always forgetting he is dead
Aunties are fat, or stand like brooms, they are never in-between
Fat Moonsky
A bride with anger in her eyes
Silverware
If all the blood, all the blood, a lake, an ocean?
Tell them about your country
I would die for seeing her
Really, it was being locked away
This is no place for ambition
They will shutter all this up
Friday Evening Prompts
There are places I don't go
Is this where God hides?
Where can I go then, from the smell?
Just an ordinary, bald man, from the bald mountains
John Corner
I see the girls with yellow teeth and wicked smiles
He is soured by years of celibacy
Too far, too far, too far
The sheep are grazing above the village
Twelve Angry Men
Do not go to the woods. They say there is a poet there
You Have Mail
We are a people thinned out by war, and old.
Diesel is not Petrol, and Vice Versa
I found a dead poem, slowly rotting, being picked over by critics
There are cries in the dark
We have heard these things before. We have heard these things too often
I will switch to another author
And you, my father
Civilisation walks on an edge
All day it has rained, and we are cold
They have built their tents above us
I sleep.
=====================================
PS Buy a copy of Ballistics! Save SALT
Is this where God hides?
Where can I go then, from the smell?
Just an ordinary, bald man, from the bald mountains
John Corner
I see the girls with yellow teeth and wicked smiles
He is soured by years of celibacy
Too far, too far, too far
The sheep are grazing above the village
Twelve Angry Men
Do not go to the woods. They say there is a poet there
You Have Mail
We are a people thinned out by war, and old.
Diesel is not Petrol, and Vice Versa
I found a dead poem, slowly rotting, being picked over by critics
There are cries in the dark
We have heard these things before. We have heard these things too often
I will switch to another author
And you, my father
Civilisation walks on an edge
All day it has rained, and we are cold
They have built their tents above us
I sleep.
=====================================
PS Buy a copy of Ballistics! Save SALT
Ongoing Blast
Why not join the Boot Campers who are "blasting", trying to write a piece a day through until the end of June
Prompts are Here > http://bootcampkeegan.yuku.com/topic/11856/master/1/
Prompts are Here > http://bootcampkeegan.yuku.com/topic/11856/master/1/
Reminder: Ballistics: Salt
If you almost thought, almost bought a copy of Ballistics to help SALT PUBLISHING, but then didn't push through, please do.
If you love the short-story, help this fine publisher.
No charity involved, no subsidy, just buy a book (or two)
One day you might have a collection
and discover there are no SS publishers.
If you love the short-story, help this fine publisher.
No charity involved, no subsidy, just buy a book (or two)
One day you might have a collection
and discover there are no SS publishers.
Prompts 08:50
A World to Build
A bag of six-inch nails, facts, a bag of brass screws
The Sequel First
Rain holding on, the dark branches
Rubber
Small against the mountain
RIVET
After the sun stares, glaring at nothing
Dead City
She wears the grief, deep to the bone
PARROT
The other day she stopped me in the street
NAIL
As he grows older, older
CHINK
But when I think of Eliot
We are the women of the terraces
BASKET
They tug reluctant daughters through slanting rain
ALMOND
The coal smells, the streets are black
Travels by iceberg
The Church of Clinking Glasses
or a story beginning: I do not ask you to believe me, only let me speak.
or a story ending: It was small, efficient, final
A bag of six-inch nails, facts, a bag of brass screws
The Sequel First
Rain holding on, the dark branches
Rubber
Small against the mountain
RIVET
After the sun stares, glaring at nothing
Dead City
She wears the grief, deep to the bone
PARROT
The other day she stopped me in the street
NAIL
As he grows older, older
CHINK
But when I think of Eliot
We are the women of the terraces
BASKET
They tug reluctant daughters through slanting rain
ALMOND
The coal smells, the streets are black
Travels by iceberg
The Church of Clinking Glasses
or a story beginning: I do not ask you to believe me, only let me speak.
or a story ending: It was small, efficient, final
Thursday, May 21, 2009
Prompts 21 May 16:50
A white, fine skull, full up with darkness
And only heralded to the gaudy spring
A female, aged about twenty-two
And tender churl, mak’st waste in niggarding
And the rustling blood
But as the riper should by time decease
A bag of six-inch nails
But thou, contracted to thine own bright eyes
Dogs barked for me
Feed’st thy light’s flame with self-substantial fuel
A tractor broke open the grave
From fairest creatures we desire increase
I heard the hooters blowing up and down the valley
His tender heir might bear his memory
I follow my mother in from the car
If this was America I’d stop running
In the night he was delirious, shouting of lions
Like stiff new boots
Making a famine where abundance lies
Officially described as a steelworker
On Sundays they play tennis in the park
Owain was ill today
Pity the world or else this glutton be
Seeing only our reflections in bottomless pools
She is a tree in winter
Sing me a tin-bath song
Some plague or violence came
Ten years ago, my father
That thereby beauty’s rose might never die
The mathematics of sunshine
The poorest house in the street
The women come with baskets
The wood has rotted, the mud has won
There is bleeding in Newport
Thou that art now the world’s fresh ornament
We were sitting having tea
Thyself thy foe, to thy sweet self so cruel
When a stream of visitors arrived
To eat the world’s due, by the grave and thee.
We stare at each other, dark into dark
Within thine own bud buriest they content
White on a black sky
A buzzard watches
And only heralded to the gaudy spring
A female, aged about twenty-two
And tender churl, mak’st waste in niggarding
And the rustling blood
But as the riper should by time decease
A bag of six-inch nails
But thou, contracted to thine own bright eyes
Dogs barked for me
Feed’st thy light’s flame with self-substantial fuel
A tractor broke open the grave
From fairest creatures we desire increase
I heard the hooters blowing up and down the valley
His tender heir might bear his memory
I follow my mother in from the car
If this was America I’d stop running
In the night he was delirious, shouting of lions
Like stiff new boots
Making a famine where abundance lies
Officially described as a steelworker
On Sundays they play tennis in the park
Owain was ill today
Pity the world or else this glutton be
Seeing only our reflections in bottomless pools
She is a tree in winter
Sing me a tin-bath song
Some plague or violence came
Ten years ago, my father
That thereby beauty’s rose might never die
The mathematics of sunshine
The poorest house in the street
The women come with baskets
The wood has rotted, the mud has won
There is bleeding in Newport
Thou that art now the world’s fresh ornament
We were sitting having tea
Thyself thy foe, to thy sweet self so cruel
When a stream of visitors arrived
To eat the world’s due, by the grave and thee.
We stare at each other, dark into dark
Within thine own bud buriest they content
White on a black sky
A buzzard watches
Ballistics x 4
I'm delighted to say that we sold four copies of Ballistics tonight (and 5 on the weekend)
Thanks to all.
Save the Short-Story!
Thanks to all.
Save the Short-Story!
21st May Prompts Set 1 00:15
The Corner House
Let the blood-sucking bat
We will not remember dying
Twelve hours, give or take a week
Planes explode
Between the belly and the mind
Onion
I am finely honed beneath this
You can be my furry godmother
Chapel
You are neither bread nor knife, nor are you butter
Sin-Eater
I think they killed him off because he was fat
Mud so black with coal it burned
Touch me, remind me
We tripped lightly along the ledge
Thin, flat battery
It’s about time, or God, it varies
This is the hard-work part of love
I only claim for the four homes
You can die
Behind the ropes like the seagulls
Castor Oil & Malt
Cello
The first sound, the last thing I will see
Seems the Normans were right bastards
Let the blood-sucking bat
We will not remember dying
Twelve hours, give or take a week
Planes explode
Between the belly and the mind
Onion
I am finely honed beneath this
You can be my furry godmother
Chapel
You are neither bread nor knife, nor are you butter
Sin-Eater
I think they killed him off because he was fat
Mud so black with coal it burned
Touch me, remind me
We tripped lightly along the ledge
Thin, flat battery
It’s about time, or God, it varies
This is the hard-work part of love
I only claim for the four homes
You can die
Behind the ropes like the seagulls
Castor Oil & Malt
Cello
The first sound, the last thing I will see
Seems the Normans were right bastards
Wednesday, May 20, 2009
Save the Short-Story
Folks, I heard on the grapevine that SALT PUBLISHING
have had a serious drop in cash-flow and really need some urgently
If we could all of us buy just one book
(but I guess a few more would be a good thing)
that would surely help a lot.
If you don't have a copy of Ballistics order one today, PLEASE.
I think if you order direct it's better for them, but you can order through Amazon or a bookshop, anywhere
Ballistics: Alex Keegan
ISBN 978-1-84471-477-3
Maybe you could buy 1-2 of mine as presents, help two causes at the same time?
(Smile at this point)
Save the short-story. Support short-story publishers.
Alex
have had a serious drop in cash-flow and really need some urgently
If we could all of us buy just one book
(but I guess a few more would be a good thing)
that would surely help a lot.
If you don't have a copy of Ballistics order one today, PLEASE.
I think if you order direct it's better for them, but you can order through Amazon or a bookshop, anywhere
Ballistics: Alex Keegan
ISBN 978-1-84471-477-3
Maybe you could buy 1-2 of mine as presents, help two causes at the same time?
(Smile at this point)
Save the short-story. Support short-story publishers.
Alex
20 May Second Prompt Set
Red Ring
Her I come to view a voiceless ghost
Tick-Tock
The enduring fascination of the difficult
I have met them each at close of day
Turning and turning and turning
Half-Term Activities in Milton-Keynes
We rested on a gate
Violence after violence,; violence upon violence.
Lake Geneva
Softly, on the evening, I hear a woman singing
There are days when life roars at us
And I was filled with such delight
It was a short war, and fairly neat
Piquante
You and I, and the evening lying down before us
When the boys come back
There will be time, there’s always time unless it doesn’t matter
Tinkle
Fuck April. It is crueller to be alone in August
Death has undone us.
Spade
A hairdresser called Phoebe
Grenade
I was walking along the Kennet, hoping
Her I come to view a voiceless ghost
Tick-Tock
The enduring fascination of the difficult
I have met them each at close of day
Turning and turning and turning
Half-Term Activities in Milton-Keynes
We rested on a gate
Violence after violence,; violence upon violence.
Lake Geneva
Softly, on the evening, I hear a woman singing
There are days when life roars at us
And I was filled with such delight
It was a short war, and fairly neat
Piquante
You and I, and the evening lying down before us
When the boys come back
There will be time, there’s always time unless it doesn’t matter
Tinkle
Fuck April. It is crueller to be alone in August
Death has undone us.
Spade
A hairdresser called Phoebe
Grenade
I was walking along the Kennet, hoping
08:10 More Prompts
20th May 2009-05-20
At the violet hour, when the eyes turn upwards
The Nine Fridays
We live lives our parents did not know
Once there was marsh here, men came in fear
She has fire that flashes in her eyes
Nobody steps in the same river twice, it changes
Or Bambi
It is not what we have built, it is what we knocked down to build
Ibuprofen
After lunch you said you wanted to pick flowers
Oh indeed my wife is handsome
I make the tea. I am quiet
Father Maloney’s glass eye
There is a boat on the river
The smell of meat on the air
They are selling the usual stuff
I live in you
A lost tribe is singing
Burnt-out buses
The zombie I met in Tesco
Circle into square and into circle
For days now I have been under house arrest
Pack
None of the substitutes work, but they are cheaper
At the violet hour, when the eyes turn upwards
The Nine Fridays
We live lives our parents did not know
Once there was marsh here, men came in fear
She has fire that flashes in her eyes
Nobody steps in the same river twice, it changes
Or Bambi
It is not what we have built, it is what we knocked down to build
Ibuprofen
After lunch you said you wanted to pick flowers
Oh indeed my wife is handsome
I make the tea. I am quiet
Father Maloney’s glass eye
There is a boat on the river
The smell of meat on the air
They are selling the usual stuff
I live in you
A lost tribe is singing
Burnt-out buses
The zombie I met in Tesco
Circle into square and into circle
For days now I have been under house arrest
Pack
None of the substitutes work, but they are cheaper
Tuesday, May 19, 2009
Prompts. Set 1
A way with words
Alternatively books from both authors will be available at the centre
Zebra
She grinds my eyes with answers far too short
Moored of Eritrea
Speaking of trees, fuck me with birds
Avro Lancaster Owner's Workshop Manual
The room is breaking out
For quality control purposes, calls may be recorded
This is the time and place to be alive
Lie to me
You weren't well or really ill yet either
Blood & Rage
Perhaps with help from my enemies
What makes us human
I did not imagine being old, or waiting here
The naming of parts
Or maybe Zulus
The next available agent
That Easter I was a few minutes late, but nothing to go on about
Here is a tricky question
We cannot take our eyes of the young
It could be seen as bribery
Back gardens, back gardens, back gardens, satellite dishes
Hanging like an old balloon
Alternatively books from both authors will be available at the centre
Zebra
She grinds my eyes with answers far too short
Moored of Eritrea
Speaking of trees, fuck me with birds
Avro Lancaster Owner's Workshop Manual
The room is breaking out
For quality control purposes, calls may be recorded
This is the time and place to be alive
Lie to me
You weren't well or really ill yet either
Blood & Rage
Perhaps with help from my enemies
What makes us human
I did not imagine being old, or waiting here
The naming of parts
Or maybe Zulus
The next available agent
That Easter I was a few minutes late, but nothing to go on about
Here is a tricky question
We cannot take our eyes of the young
It could be seen as bribery
Back gardens, back gardens, back gardens, satellite dishes
Hanging like an old balloon
Fancy a Writing Blast?
Ex-BCers, Current BCers
Suck-it-and See-ers
Today is May 19, it's six full weeks to the end of June, 42 Days
Who wants to aim for some tough targets? A piece a day (minimum)
42 pieces in the 42 days?
It's not tough. It's just a case of ATTITUDE
19-25 May
26-01 May-June
02-08 June
09-15 June
16-22 June
23-30 June
If you are not BC, then you won't have the BC Crit Grid
and we can't promise any critical feedback, but you CAN join in the fun
and see what is possible when working with a motivated group
Or you can sign up with BC for a month with 2 weeks
extra thrown in and got the whole hog
email me alex.keegan(atsign)btinternet.com
Suck-it-and See-ers
Today is May 19, it's six full weeks to the end of June, 42 Days
Who wants to aim for some tough targets? A piece a day (minimum)
42 pieces in the 42 days?
It's not tough. It's just a case of ATTITUDE
19-25 May
26-01 May-June
02-08 June
09-15 June
16-22 June
23-30 June
If you are not BC, then you won't have the BC Crit Grid
and we can't promise any critical feedback, but you CAN join in the fun
and see what is possible when working with a motivated group
Or you can sign up with BC for a month with 2 weeks
extra thrown in and got the whole hog
email me alex.keegan(atsign)btinternet.com
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