WEST
I am the other brother, the one who
wasn't famous. I am the dumb one, the
one who chose to be a writer, and, to compound my sins, wanted to write well.
That is why I am the non-famous brother. The poor one.
There wasn't much Colin couldn't
do. He was the handsome one, the fast one, the one with all the charm, the
luck, the sweet voice, the girls. That's OK, was OK. We all sail different
ships.
Six weeks ago he wrote me from
Miami. Tom, where can you go to escape? Me, I talk to sheep, walk on the moors,
but I emailed back and said, "Ireland?"
"What is the best killing
music?" he answered. I thought, "What?" It reminded me of that
Iraq video, crazy GIs in armoured cars playing Meatloaf and dispensing death.
"Ring me," I said.
Now I'm driving west, the sky is
filthy, the colour of discarded slate. Janet and I have hardly left and we
haven't yet arrived, but there's a great ache floating up between us, a
confusion of emotions, the loss, the step we are taking but at the same time a
future, the inheritance and the cottage.
When we were boys, Colin wanted to
be a soldier. I wanted to be a Dalek, so I could hide my crooked self. How the
world turns.
So Colin left us the cottage and
his letters says it comes with a field a cow, a yard and some chickens. He was
never happy, he says, but maybe I will be content.
He knows me. He knows how I need
things to be solid, to be old. He knows I need something honest, a fat river, a
lazy tree that aches and sighs.
We are all asleep and it is coming,
he wrote. I'm beating it, taking a short-cut, but you go to the cottage, it's
yours and a man will bring you a cow and a few dozen hens. The rest us up to
you, bro.
I should have been there, but after
Paris, after Janet and Colin, we never found a way to get back. Janet now still
aches, I can feel it, and now this,
Colin, naked, face-down in a Miami penthouse, the bottle, the needles, I can
feel the images swelling up, the old wants still there like an old,
treacherous, deep pain.
But what is there but dreams,
however dull? Like the child who places hope upon the water we take one more
tilt. It is better to anticipate than to remember and regret. There is that
windswept stone house waiting, a house far-off with one window glowing. I will
be there and I will write about my mother, write about my father and fat-ankled
aunts.
Janet will be unable to forget. She
will suffer from the cold, and one day she will say she needs to leave
me. I will have my typewriter, a plate, a bowl, my knife, fork and spoon and I
will say I love it here and she will answer, "Where is here, Tom?"
There will be no panic, no flurry
of regret. We will calmly part. I will have my doubts. I will confess to being
human, but I will know what Colin knew, how we were made of stone and harsh
winds. I'll ache as Janet leaves, but I will say, "I just love it here. I
think I will stay."
I will watch her car until it
disappears, then go inside and write Colin's story.
587 Words
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